Famous authors like Margaret Atwood, David Mitchell and Sjón are all contributing to a forest of books on the outskirts of Oslo.
Deep inside the Nordmarka wilderness area in Oslo stands a forest within the forest: The Future Library.
The art project, thought up by Scottish artist Katie Paterson and commissioned by Bjørvika Utvikling, consists of planting a forest to grow the materials for a unique library for people living one hundred years from now.
Paterson, who says the seed of the idea came to her several years ago, says she found Oslo to be the perfect location for her project.
“With the city surrounded by trees, I imagined the forest may be part of people’s psyches in a more pronounced way. Perhaps a 100 year artwork might be received and thought about differently.”
In 2014, along with local foresters and a small team, she planted 1,000 Norwegian spruce trees in Nordmarka, picking out the seeds from the surrounding forest and sealing them in white wax to ward off any hungry weevils.
The fate of the trees has also been sealed, a full century in advance. In the year 2114, they are to serve as paper pulp for the printing of an anthology by one hundred authors, one per year. Each will contribute one unpublished text, its length and contents a secret even to Paterson.
Paterson says the idea came through making a connection between tree rings and chapters, imagining the writer’s thoughts infusing themselves with the trees.
“Almost as if the trees absorb the writer’s words like air or water, and the tree rings become chapters spaced out over the years to come.”
So far, an impressive slate of writers has ;joined the project. The first author to contribute, Margaret Atwood ;counts amongst the science fiction canon’s giants for dystopian novels such as The Handmaid’s Tale and the MaddAddam trilogy.
“Margaret Atwood compared our invite to being asked to donate a kidney to one of her family members: ‘You either say yes or no immediately, and I said yes’”, Paterson says.
“We arranged a public walk to the Future Library forest where she handed over the manuscript Scribbler Moon. She described the walk as magical: Misty forest, tiny trees growing, oddness abounding.”
In an essay written for the occasion, Atwood also touched on the optimism inherent in Paterson’s project.
“Will any human beings be waiting there to receive it? Will there be a ‘Norway’? Will there be a ‘forest’? Will there be a ‘library’? It’s hopeful to believe that all of these elements – despite climate change, rising sea levels, forest insect infestations, global pandemics, and all of the other threats, real or not, that trouble our minds today – will still exist.”
Paterson agrees that her project is hopeful at its core, in believing that the forest, the book and the reader will all be there a century from now.
“Future Library is not a directly environmental statement, but involves ecology, the interconnectedness of things – those living now and still to come. It questions the present tendency to think in short bursts of time, making decisions only for us living now.”
Since Atwood, two more have joined. Last year, The Bone Clocks author David Mitchell was the second writer to hand in his manuscript.
This October, the participation of Icelandic novelist Sjón was announced.
“He is writing his piece right now, in his Icelandic cabin in the south”, Paterson says.
“His writing is dynamic and melodic, and like Future Library, interlaces the human and natural world through stretches of time.”
A trust decides on which authors to invite year by year, to keep the project from becoming static, so that authors will reflect their contemporary moments all the way until the grand unveiling.
How the Future Library will be viewed by its intended recipients is anyone’s guess. In the present, it has received a lot of attention, not least from media ranging everywhere from Quartz and VICE to Wired and The Guardian.
“One particular response deeply moved me”, Paterson says.
“We received a letter inviting us to plant a Future Library forest in Nairobi, Kenya.”
Early next year, she is travelling to Oslo to meet architects and lighting designers that will assist with building a part of the project dubbed The Silent Room, opening in 2019 as part of Oslo’s new main public library building in Bjørvika, next to the Oslo Opera House.
“The room will be situated on the top floor of the library, which is the quiet floor where the special collection of books and archives will be held. The positioning of the Future Library room will look in the direction of the forest, which we will be able to glimpse in the horizon. We may connect the two spaces with a telescope”, Paterson says.
“It will be a small, intimate room, encouraging only one or two people at a time, containing the manuscripts with the author’s name, the title of their text and the year visible. We will be building the room using the trees we cleared from the forest, still containing the scent of the trees.”
- Det er ikke ofte en drøm går i oppfyllelse for en kunstner, sier Katie Paterson. Nå er hennes Future Library i gang, selveste Margaret Atwood har overlevert sitt manus. "Scribbler Moon" er den første av 100 historier til boka som skal gis om like mange år! #futurelibrary #futurelibraryoslo
Et bilde publisert av nrk.no/bok (@nrkbok)
When the room opens, the read-through will still be 95 years off, as the texts themselves are locked away. Meaning Paterson, along with anyone reading this article, won’t be around to read them.
“I will certainly be dead when Future Library sees its final completion. When I had the idea, I knew instantly it would outlive me (and most of us alive today). It is important that I do not see it fully realised – it is a work conceived for an unknown, future generation. However it will unfold over this generation and the next, and remarkably, I will spend my whole life crafting this artwork”, she says.
And though she is curious about the texts, she refuses to sneak a peek. The closest she’s come? Being handed the boxes that contain the manuscripts.
“David Mitchell’s piece is around 90 pages, and Maragret Atwood’s box was also very heavy.”
Nordmarka is a forested area north of Oslo. Norwegian spruce (Picea abies), birch (Betula pubescens) and pine (Pinus sylvestris) flourish in this area, which is protected by the city against the threat of urban sprawl. Foresters from the Agency of Urban Environment have been tending this land for over 100 years. A number of existing spruce, birch and fir remain in the Future Library forest, to allow it to regenerate from its own seedbank.
Visitors are able to visit the Future Library forest, which is located a 30 minute hike from Frognerseteren metro station. (Geo coordinates 59°59'10.8"N 10°41'48.7"E)
We will have our yearly handover event with Sjón on June 2nd 2017. A special ceremony in the forest each spring marks the handover of the author’s texts. This event is free and open to all. We all gather at Frognerseteren station in the morning, and walk together.
Between the Oslofjord and the forests lies Norway’s capital and largest city, with its vibrant social scene and special combination of nature experiences and city life.
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