Henrik Ibsen

In the late 19th century, the playwright Henrik Ibsen completely rewrote the rules of drama with a realism that we still see in theatres today. He turned the European stage away from what it had become – a plaything and distraction for the bored – and introduced a new order of moral analysis.

Without fairy tale figures and unlikely plots, Ibsen brought his audience into regular people’s homes, where the bourgeois kept their carefully guarded secrets. He then placed the conflicts that arose from challenging assumptions and direct confrontations against a very realistic middle-class background and developed them with piercing dialogue and meticulous attention to detail.

For this, he has earned his place in history. Next to William Shakespeare Ibsen is undoubtedly the greatest playwright in the universe. So naturally, The International Astronomical Union named a planet after him. Only a minor planet, but still!

Henrik Ibsen’s major works include “Brand”, “Peer Gynt”, “An Enemy of the People”, and “A Doll’s House”, as well as “Hedda Gabler”, “Ghosts”, “The Wild Duck”, “When We Dead Awaken”, and “The Master Builder”. All of these plays have strong and challenging characters that live on outside of their plays’ intrigues.

Most played throughout the world is probably “A Doll’s House” which culminates in the character of Nora leaving her husband Torvald and her three children – unheard of in 1879, when it was first performed, and still one of the most famous gender political moments in world literature. The role of Nora even holds an iconic status: Unesco’s Memory of the World register calls Nora “a symbol throughout the world, for women fighting for liberation and equality”.

According to the famous Norwegian actor Dennis Storhøi, who has played the character of Peer Gynt numerous times, Ibsen is a genius in the way that he captures the man or the woman perfectly at all times.

“He must have had a significant insight in how peoples’ weaknesses and strengths worked”, he says in the video below.

Other playwrights and novelists such as James Joyce, George Bernard Shaw, Oscar Wilde, and Eugene O'Neill were greatly inspired by Ibsen. The Austrian composer Gustav Mahler thought so highly of Ibsen that he didn’t even dare to approach the writer when he by chance saw him sitting at a neighbouring table at the Grand Hotel in Oslo.

Today, there is always an Ibsen play showing on a stage in Norway. Some theatres, like the National Theatre in Oslo, surtitles some plays in English. Others, like the fantastic outdoor play at the Peer Gynt Festival at Gålå in Gudbrandsdalen, accommodate for their international audience with introductions, summary booklets, and audio guides. But if you really want to experience Ibsen’s plays like they were meant to, you need to do as James Joyce – learn Norwegian.