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The renowned violinist Eldbjørg Hemsing often includes sounds from Norwegian nature when she plays for audiences all over the world.
236 years separate Eldbjørg Hemsing and her musical tool, but you’ll be hard pressed to find a more close-knit duo.
She started playing the violin when she was a four-year-old growing up in a picturesque village in Valdres in Eastern Norway. Now, people sit quiet and listen every time Eldbjørg lets the bow hit the strings on her G. B. Guadagnini from 1754.
Hemsing plays all over the world, in cities like Shanghai, Hong Kong, Valencia, Frankfurt, Koblenz, Leipzig, Berlin, Cologne, Abu Dhabi, Oslo – and in her home town of Aurdal. In March 2018, she released a record with music written by Norwegian composer Hjalmar Borgstrøm.
“When I hear Borgstrøm’s compositions, I think of fjords and mountains and the feeling of moving through nature.”
What sounds did you grow up with in Valdres?
“I remember that the silence intensified all sounds, like the trickling of the water in a mountain stream, the summer breeze through the valley, or the gust of the wind in the tree branches. My mother was a music educationalist and my father worked as a mountain supervisor, so I grew up in a harmonious mixture of music and nature. I often went with my father to work in the mountains to check out the danger of an avalanche or measure fish stocks and water depths. I learned things like building a campfire for preparing meals”, Eldbjørg says.
Valdres is known for traditional folk music that is often mixed with new genres, and it was important to Eldbjørg’s mother that rehearsing should be fun. She could even get 15 minutes of rehearsal in before the children’s television programme started in the evenings.
And now you have played on the rare instrument you have on loan from a foundation for nearly ten years?
“The violin is very personal to me. The sound coming out of its body feels like my own voice. It has a heartfelt depth and warmth, and a wide array of colours. The first Hardanger fiddles are said to be from the 1600s. It’s incredible to think about how much my instrument has been through.”
Growing up, Eldbjørg took time off from the school in Valdres every Friday to travel about three hours to Oslo and the Barratt Due Institute of Music. Her first trip abroad went to the Czech Republic when she was eight. Later, she took lessons in the USA, and from then on concerts all over the world have filled up her calendar.
In March 2018, Eldbjørg released her debut album, including her discovery of the forgotten Violin Concerto in G major signed by Norwegian composer Hjalmar Borgstrøm (1864–1925), who was inspired by German Romanticism. She wanted to share her own enthusiasm about the work with her audience.
You draw a connection between Borgstrøm’s work and Norwegian nature experiences?
“Yes, I perceive his music as a very physical piece – complex and craftsmanlike. When I hear Borgstrøm’s compositions, I think of fjords and mountains and the feeling of moving through nature. The tones can resemble a smell or bring out memories of other encounters with nature.”
Chefs, like the one at the three-star Michelin restaurant Maaemo in Oslo, also say that they serve memories from Norwegian nature?
“Yes, and that is what is so strong about music – it can call forth a personal, but very distinct feeling.”
What is the most enjoyable thing about being a violinist?
“To resurrect a several hundred years old violin, and to breathe new life into old compositions so that both new and traditional audiences get to appreciate how great they are. I am not that interested in interpreting and renewing historical pieces of music, but rather in emphasizing their original strengths.”
Was classical music the rock ’n’ roll of that time?
“You might say that, and classical music is just as cool and relevant still. My line of work have much in common with elite sports. When I perform, I have one chance to deliver my absolute best. I set off with maximum tempo and concentration and don’t stop until I’m finished.”
In 2013, Eldbjørg and her sister Ragnhild started a yearly chamber music festival in their home town of Aurdal in Valdres. The sisters invite top-level musicians, many of whom have become their good friends. And even though the Hemsing Festival has grown bigger every year – in 2018, about 30 international artists performed for 12,000 people, and the festival was broadcasted on national television – the sisters want to keep the intimate feeling the acclaimed musicians get at this stunning place in Eastern Norway.
“International artist friends praise the clear light and clean air in Valdres. They say that it sharpens their senses. They get to taste local food like moose and wild fish, and we take them on skiing trips and other activities,” Eldbjørg says.
How much money is your violin from 1754 worth?
“I honestly don’t know, and that is fine with me. If I’d known, I would probably get the jitters.”
How do you preserve such an old instrument?
“It has to be looked after and cared for, because the wood is still alive even though it’s so old. The case has a humidifier and a hygrometer, and I go to a ‘violin doctor’ twice a year.”
Do you keep the violin as hand luggage when you fly, or do you check it?
“Always as hand luggage. No exceptions. I’d never let something that personal out of my sight.”
Are you ever longing back to Valdres?
“I know that I can always take a break there and find peace of mind. But it is important to emphasize that even though you come from a small and beautiful place, you can still travel and work wherever you want in the world.”
At the age of 11, Eldbjørg Hemsing made her solo debut at the Bergen Philharmonic, and later she has been permanently positioned at an international level with regular tour programs. Her repertoire ranges from Beethoven and Grieg to Dvorak and Dan Tun.
She released her debut album in March 2018 and maintains an extensive collaboration with Dan Tun in both Asia and Europe. Since 2011 she has been playing on a violin handcrafted by Guadagnini back in 1754.
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